Heather MacRae

They push themselves to see the world with tenderness and celebrate the dynamic moments of fragility and strength

'I think we are beginning to see more attention paid to twentieth-century African American artists like Golding who were marginalized in their day due to race or circumstance and left out of the canon of western art'

Subtle color, gentle patterns lilt across the space behind absolutely beautifully rendered animal forms

'Savannah Clay Community gives the opportunity for artists that are working in clay to venture out and meet other people that are working in clay and share ideas'

A chat with the Telfair team about what's coming up

'By zooming in, seeing what’s far away up close, I am able to make the landscape personal'

'Oden’s work has always stood out to me for its sense spontaneity and ultimate control'

'Painting is a meditative practice until it becomes combative, which happens often'

'Despite all the city’s shifting around, it seems to carry a consistent “vibe,” and that’s what I’m trying to respond to through the gallery'

Heather MacRae reviews the 'Human Cargo' exhibit at Ships of the Sea Museum.

'Curators always come back to this: primitivism and sophistication should cancel each other out, but that’s what makes my work interesting to them, that it doesn’t'